I saw this series on 411movies. The columnist was listing the best and worst Hollywood movies he had seen one letter at a time. After being sufficiently inspired by the column (like most of our movies get inspired by Hollywood), i decided to make my own list for each letter. (Apart from X, no hindi movies start with X).
Some rules:
1. This list is completely subjective, you may disagree ardently with any of my choices, that is your right.
2. I have only included movies i have seen (which is a lot), so i am not claiming that this is a be all and end all. Also, i do watch a lot of movies, so some movies mentioned can come about as obscure.
3. All opinions expressed are mine alone.
4. A huge load of thanks to Subodh Kapoor who helped me identify even worse movies every time i thought i had already reached the worst one.
5. If ever you get the idea to go and watch the movies i have mentioned as my worst, please don’t.
So with that out-of-the-way, here we go with the first installment, movies from A to D:
A
Worst movie:
The floodgates basically opened with this letter, there were so many movies deserving of being named worst of the letter. They included recent movies like “Aloo Chaat” “Aabra ka daabra – the school of magic” which was an extended ad for Parle-G and Camlin etc. etc. to the Amitabh superhero “Ajooba” or even the godawful movie “Army” to Govinda’s completely crass comedy in “Aunty No.1″. But, after a deliberation due to the embarrassment of riches to choose from, i finally arrived at the worst movie i have seen from the letter “A”.
For those of you who don’t remember this movie, consider yourself lucky. This is probably Kamal Hasan’s worst movie, Shankar-Ehsaan-Loy’s worst music and a very good movie if you want to keep kids off drugs. The movie is basically one long extended acid trip sequence with the characters turning into anime and back to represent the villains mental health. The background music was an exercise in torture and the performances were non existent. A good choice for worst movie from A.
Best movie:
Some great choices i could have made here as well, from my favorite comedy “Andaz Apna Apna” to “Amar Prem” to “Amar Akbar Anthony” and even more recently “Aamir”. In the end, i decided to give this to an all time great movie:
“Zindagi badi honi chahiye, lambi nahin” – The simple sentence on which Anand lives his life. This is a masterclass in filmmaking, where everything clicks. The direction, the acting, the dialogues and the music. “Kahin door jab din dhal jaaye” is still crooned regularly. This is also a rightfully deserving of the spot.
B
Worst movie: Again a good collection to choose from, there was Kaizad Gustad’s “Boom”, the Indian version of Heartbreakers “Bachke Rehna Re Baba”. And the “winner” is:
As a public service announcement, i have to tell you guys to stay as far away from this movie. I mean it, even out of sheer morbid curiosity, don’t ever consider renting the DVD out. I saw this movie through the movieserver in college, so the only thing i lost was an hour or so of my life and my self-respect. Once again, i repeat, stay away. What were such fine actors like Anupam Kher, Paresh Rawal and Om Puri (who plays a gay sadhu, seriously!!!) thinking when they signed on for this.
Best Movie:
Again, plenty of choices, from “Bheja Fry” to “Bawarchi” to “Bombay to Goa”. I finally had to give this to,
Probably the finest war movie made in the past 20 years. The casting was perfect, the jingoism was kept in control and the climax is perfectly shot. I am sure most of you will disagree with this choice, but i stand by it. This was a really good movie and deserves this spot.
C
Worst Movie: Well, C seems to be a pretty strong letter to start a movie name with. There are very few outright Bad movies, but bad movies can still be found, just not as many as for A or B. The worst movie from C is
With “Dus” becoming a hit thanks to Style and little to no substance, the next logical move was to make a movie with complete style and absolutely no story or anything even resembling a story. Cash was a wasted opportunity to make a good thriller and instead ends up being the worst movie from C.
Best Movie:First, let me acknowledge some of the fine movies which did not make it to Best movie from C: “Chak De India”, “Coolie”, “Coolie No.1″ (back from when David Dhawan and Govinda made good movies), “Chala Murari Hero Banne”, “Chandni”, “Criminal”, “Company”.
But, one movie stood head and shoulders above all others, this is one of my all time favorites, its DVD earns a pride of place in my collection and it is an all round entertainer
CHUPKE CHUPKE:
This, my friends, is a true classic. Still as entertaining with repeat watches as it was on the first watch. Dharmendra’s best performance as a lover boy. Brilliant comic sequences, the Karela-Corrola sequence still has me in splits each time with Amitabh pretending to be a Botany professor. Seek out the DVD and buy it, this movie is worth it.
D
Worst Movie:
D is another strong selection. Honorable mention “Drona”. The Winner is
This movie wishes it was a “Jaani Dushman” or a “Gunda” (to be clear, you will not see either of those movies on this list). This movie could have been a cult classic, but the movie goes way beyond being bad into transcendental territory. This is still a one time watch, but the number of loopholes, logical gaps, bad bad cues by the actors and a script which was probably written in a hurry make it a chore to sit through. There are moments of unintentional humour like when Gracy Singh makes her entry in Dhoom style, but the movie cannot rise beyond its flaws to become a cult.
Best Movie:
D was an embarrassment of riches, if i did not have my list frozen before writing this, any of the honorable mentions could have easily made it as the best movie: “Daag” “Damini” “Disco Dancer” “Don” “Do Aankhen Barah Haath” “Do Bigha Zameen” “Devdas” “Dev D” “Dosti” and many more. But, on my list, for the letter D, there can only be one best movie:
DILWALE DULHANIYA LE JAAYENGE: 
The love story of Raj and Simran, a trendsetting movie in more ways than one, and the movie which firmly established SRK, Kajol and YRF in the industry. This movie has it all, and is my best movie of the letter D.
That’s it for this installment, next time we will go from E to H.
Until Next Time,
K.C.G


















October 18, 2009
Hindi DVD director commentaries
Posted by kcgadiyar under opinion | Tags: directors commentary, Heyy Babyy, Jaane Tu Ya Jaane Na, jtyjn, Kal Ho Na Ho, Neil and Nikki, Rang De Basanti, review |Leave a Comment
One of the reasons i prefer watching DVDs over VCDs (or for that matter over downloaded prints of movies) is the directors commentary feature on them. These commentaries take us behind the process of the making of the film scene-by-scene. Since i watch most movies i want to see upon first release in theatres, this commentary becomes a reason for me buying a DVD. Some directors commentaries are really good (Any Pixar movie) and some are done as an afterthought just so they will have something to put on the DVD. So, when the DVD shop near my home was having a buy 6 DVDs for 200 bucks offer for Diwali, i just couldn’t resist. I was slightly disappointed by the fact that most hindi DVDs do not have directors commentary on them, but after a lot of searching, i found 5 DVDs having commentary on them (and i bought “Dil Chahta Hai” to make the purchase number 6 items, and this is my review of the commentary on the discs. (Note: this is not a movie review, it is the review of the alternate sound track featuring the commentary only)
1. Rang De Basanti: Rakeysh Mehra introduces us to the film and how he came up with the title, casting etc. I liked the in-depth way in which he dissects each scene in the movie. How he tells us the different points where Aamir Khan ad-libbed certain phrases, the whole concept behind the film etc. The one problem with the commentary is that he dwells on technical details a bit too much, quoting camera speed, shutter speed etc. for a few scenes a lot. Overall, it is a fun bit of commentary.
Major takeaway:The Cameramen on RDB were geniuses, some scenes which look like they were shot during twilight were actually shot in mid-afternoon (something to do with the exposure)
2. Jaane Tu Ya Jaane Na: Abbas Tyrewala starts his commentary with the “All Characters are fictitious” screen unlike the others on this list who wait until the credits have started. This was a fun commentary to listen to, and goes to reinforce the Aamir “Perfectionist” Khan stereotype.
Major secret spilled: As i had guessed in this post: http://kcgadiyar.wordpress.com/2008/10/14/an-idle-observation/ . One of the characters in the movie was supposed to be gay. For some reason, all the scenes involving that storyline were cut during editing.
3. Kal Ho Na Ho: My personal favorite among the commentary tracks heard. Nikhil Advani is extremely forthcoming about everything that happened during the movie shoot. The commentary track is actually much better than his next 2 movies (“Salaam-e-ishq” and “Chandni chowk to china”). Although, at times, it becomes too much of an ass-kissing exercise, but overall it is pretty good.
Reasons why Nikhil Advanis next 2 movies were so bad: One consistent thing in the commentary is that anytime a really funny scene happens in the movie, Advani says “This dialogue was Karan’s idea” or “This dialogue/expression was ad-libbed by SRK/SAK on the spot” which applies to almost every single entertaining scene in the movie. This will explain why the next 2 movies had a general paucity of fun and entertainment.
4. Heyy Babyy: This is the most comprehensive commentary track i have heard. There is not just commentary by Sajid Khan, but there are excerpts of comments from the actors as well. The main problem with the commentary here is that after a while it just becomes a self-congratulating session.
Buy the disc for: The extremely detailed “Making of a movie” which is almost as long as the movie itself and takes us through every single facet of making a film.
5. Neil and Nikki: The commentary by Arjun Sablok gives us an idea of just how much fun the unit had while shooting this movie (and somewhat strangely, this is the only Yash Raj film to actually have Director’s commentary as a feature). If only they had taken care to have a good story to go with the fun they had. BTW, the climax of the movie is not bad at all, probably one of the better ending scenes i have seen.
The director claims: that he was just putting every man’s fantasy on celluloid when he made this movie.
Some movies i would like to see have special commentary tracks on them:
Until Next Time,
K.C.G